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Apogee HypeMic USB Microphone with Analog Compressor
- Apogee Hypemic is the only USB microphone with an analog compressor
- Superior cardioid condenser microphone capsule in a compact body.
- The headphone output includes the Blend feature, which allows for zero-latency recording.
- Easy to set up; simply plug in and record with any audio app.
- Optimized for GarageBand, Logic, and Core Audio compatible programs on Mac.
₹31410₹34900Apogee HypeMic USB Microphone with Analog Compressor
₹31410₹34900 -
Apogee Groove Portable USB DAC and Headphone Amplifier
- Apogee Groove Desktop Audio Interface is powered by USB
- The ESS Sabre DAC enhances music listening experiences on iTunes, Tidal, Spotify, Pandora, and other platforms.
- Constant Current Drive offers a smooth frequency response with any headphones.
- Quad Sum DAC, 4 DACs per channel for maximum dynamic range and minimal distortion.
- Asynchronous clocking.
₹21500₹24000 -
Apogee Symphony Desktop USB Audio Interface
- Apogee Symphony Audio interface has Sound Quality in Desktop Format
- Preamp Emulation, Hardware DSP, Plug-Ins
- Easy Operation with Color Touchscreen
- Two Stepped-Gain Preamps with 75 dB Gain
- Compatible with: macOS, Windows, and iPad Pro
₹108000₹119444Apogee Symphony Desktop USB Audio Interface
₹108000₹119444 -
Apogee Duet 3 Limited Edition USB Audio Interface
- Apogee Duet 3 has a high-quality Apogee AD/DA converter and digital clocking.
- Pristine analog circuitry and carefully designed power management
- Two world-class mic preamps with +65dB gain, +48V phantom power, and Apogee’s Advanced Stepped Gain Architecture.
- Redesigned breakout cable featuring two instrument inputs, two microphone/line inputs, and two balanced outputs.
- Excellent-sounding headphone output.
₹59000₹65638Apogee Duet 3 Limited Edition USB Audio Interface
₹59000₹65638 -
Apogee BOOM 2×2 USB C Audio Interface
- Apogee BOOM USB Audio Interface offers legendary sound at an economical price.
- The PureDIGITAL AD/DA converter fully maintains your signal.
- Combination The XLR/TRS input and normal 1/4-inch input jack enable you to record through any combination of gears simultaneously.
- Built-in hardware DSP effects and the Symphony ECS Channel Strip sweeten your inputs with EQ, compression, and drive at zero latency.
₹19990₹22500Apogee BOOM 2×2 USB C Audio Interface
₹19990₹22500 -
Audient Oria Immersive Audio Interface and Monitor Controller
- Audient Oria includes ADAT and Wordclock I/O, Analog I/O, USB-C Host Connection, and App Control, as well as a calibration microphone and USB-C cable.
- Up to 9.1.6 Atmos Multi-channel support
- DSP for onboard room calibration.Up to
- 24-bit/96 kHz Sampling and comprehensive monitoring control
- 2 × 16 Analog/AES Speaker Outputs
- Two XLR-1/4″ combo preamp inputs for the audience.
₹269900₹300000 -
Apogee Duet 3 2In X 4Out USB-C Audio Interface For Mac And Windows
- 2-in/4-out USB-C Audio Interface with 2 Microphone Preamps
- A visually appealing curved body is topped with scratch-resistant Gorilla glass.
- 2 high-quality mic preamps with +65dB gain, +48V phantom power, and Apogee’s Advanced Stepped Gain Architecture
- Apogee AD/DA conversion and digital clocking of the highest caliber
- The Duet 3 has an ECS Channel Strip DSP-based version that operates inside your Apogee hardware.
₹51900₹63200 -
LaChapell Audio Model 583e 500 Series 3 – Band Equalizer – Amazing Facts!
- The EQ section functions autonomously from the preamp, allowing separate operation.
- A center-chassis mounted tube design effectively isolates heat, preventing interference with other 500 modules in the power rack.
- Swappable tubes offer the ability to achieve diverse sonic variations.
- This amplifier features genuine vacuum tube technology and offers fully adjustable input/output controls.
- Equipped with an 80% nickel output transformer and boasting a clean, attractive layout.
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PMC 8-2 XBD Active Studio Monitor Pair
- Combines the PMC6-2 midfield studio monitor with two PMC 8-2 Sub
- To create a powerful, full-range monitoring system with superior clarity and resolution.
- 3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
- Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
- Optional dedicated 19” floor stands
- Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
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PMC 6-2 XBD Active Studio Monitor Pair
- Combines the PMC 6-2 midfield studio monitor with two PMC 8-2 Sub
- To create a powerful, full-range monitoring system with superior clarity and resolution.
- 3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
- Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
- Optional dedicated 19” floor stands
- Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
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PMC 6-XBD Active Studio Monitors Pair
- Combines the PMC6 monitors and PMC8 SUB
- midfield monitor performance in a compact system
- 3-way active, twin cabinet, mid-field reference monitor with ATL bass loading
- Frequency response: 25Hz – 25kHz (- 3dB @1m full space, on-axis)
- Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate
- Active subwoofer with an 8-inch bass driver
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PMC 8-2 Active Studio Monitors (Pair)
- Active 3-way nearfield reference monitor with ATL bass loading
- Powered Studio Monitor with 2 x 400W 200mm Woofers,
- 400W 55mm Midrange, and 400W 27mm Tweeter (pair)
- Effective ATL length: 3 meters
- ICEPower Class D amplification: 4 x 400W
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PMC 6-2 Active Studio Monitors (Pair)
- Active 3-way nearfield reference monitor with ATL bass loading.
- Frequency response: 33Hz – 25kHz (-3dB @1m full space, on-axis).
- Supports un-weighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours (AES2-1984 duration).
- Offers both analog and AES3 digital input (16/24-bit, 18-192kHz sample rate).
- Equipped with the SoundAlign network control interface for single or group EQ and settings.
- Features a sophisticated DSP crossover, driver protection, EQ, and delay/polarity options.
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PMC 6 Active Studio Monitors Pair
- ICEPower Class D amplification: 200W (LF), 200W (HF) for powerful and efficient performance.
- Newly designed PMC 150mm woofer for improved bass response.
- PMC 27mm soft-dome tweeter for detailed high frequencies.
- Wide frequency response of 45Hz–25kHz (+/- 3dB) for accurate sound reproduction.
- Utilizes an Advanced Transmission Line (ATL) with an effective length of 1.8 meters for exceptional bass extension and tonal balance.
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Yamaha CL5 72-channel Digital Mixing Console
- 32-channel CL Series Digital Mixer with Centralogic Control Surface
- 72 mono and 8 stereo mixable channels,Flexible networking with Dante
- Virtual Circuitry Modeling Technology, and Remote Control via Tablet or Computer
- Centralogic UI for straightforward control
- Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section .
Call for PriceYamaha CL5 72-channel Digital Mixing Console
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Manley Massive Passive Equalizer Mastering Version
- All-passive circuitry for natural tone sculpting.
- Unique Shelf curves using the “bandwidth” control.
- Overlapping and interleaved frequency choices for precise shaping.
- Each band switchable between shelf and bell modes.
- Vacuum tube makeup gain and line drivers for warmth and clarity.
₹674842₹710360Manley Massive Passive Equalizer Mastering Version
₹674842₹710360 -
Manley SLAM! 2-channel Tube Microphone Preamp & Limiter – Mastering Version
- SLAM means stereo limiter and microphone preamplifier
- FET Limiters, Stereo Link, and VU Metering
- No mic preamps or instrument inputs. Instead the tube sections are paralleled for lower noise and distortion
- All pots are replaced with rotary switches for detented resettability and easier calibration
- The mastering version has a true hard-wire bypass function, which is not possible on the regular version with mic preamps, etc. What was the Left Bypass, becomes the full Bypass (in stereo and hardwired). No separate L & R bypass buttons
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Manley Variable Mu Stereo Limiter Compressor – Mastering Version
- Rotary switches with detented steps for precise channel matching and settings recall.
- Switch steps constructed using 1% metal film resistors on sealed gold-contact Grayhill switches.
- Manley input and output transformers featuring pure nickel laminations in mu-metal cases.
- Flat frequency response spanning from 20Hz to 25kHz.
- Balanced inputs and outputs for minimized noise and interference.
₹587404₹618320 -
Empirical Labs ELDS DerrEsser 500 Series De-esser
- Module for the API-500 system
- The Highest Performance Analog De-esser That Exists.
- A “BAD!” HARD CLIP INDICATOR LIGHT alerts the user when hard clipping is about to occur by flashing a “Bad” Clip LED. It checks the DerrEsser’s various sections for any potential clipping.
- Industry Standard Api 500 Series Rack Compatible.
- 6dB of increase is available for UNITY increase IN AND OUT.
- Military-grade switches and relays, high reliability components.
- Dynamic multifunctional filter – mainly for use as a de-esser
Call for PriceEmpirical Labs ELDS DerrEsser 500 Series De-esser
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LaChapell Audio 583S MK2 500 Series Tube Microphone Preamp
- First tube preamplifi er in 500 series format
- Burr-Brown and THAT balanced line drivers
- CineMag CMOQ nickel alloy output transformer
- Fully variable potentiometers for input and output gain stages
- 48V phantom power, 20dB input pad, and polarity reverse
- Front-panel, auto-switching transformerless hi-Z input for instruments
- Enclosed chassis, for superior cooling flow and interference characteristics
Call for PriceLaChapell Audio 583S MK2 500 Series Tube Microphone Preamp
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